Temporal Distortions: Time and Motion as Artistic Mediums

 In “Apillify,” I set out to capture what the eye cannot see: the passage of time compressed into a single frame. Using slow shutter speeds and dynamic subjects, I allowed motion blur to paint its own narrative.

Motion blur occurs when the exposure time is long enough for the movement of the subject to be recorded as a streak. Instead of fighting this optical artifact, I embraced it. By calibrating the speed of movement and exposure, I transformed everyday actions into ethereal trails of light and shadow. Each piece feels like a memory—half-formed, fleeting, and profoundly human.