The rain came in sideways, a bitter wind whipping through the alley, rattling trash cans and neon signs. I stood under the awning of a convenience store that smelled like stale cigarettes and regret, watching the world blur through a sheet of water. I lit a cigarette and tried not to think about you. You…
read moreShadows, often dismissed as voids, take center stage in "Isolated Lights." Through precise lighting and strategic placement of opaque objects, I explored shadow density, diffusion, and edge softness, creating compositions where darkness conveys as much as light. Shadows form when objects block light, but their character depends on light source size and distance. By experimenting…
read moreIn “Apillify,” I set out to capture what the eye cannot see: the passage of time compressed into a single frame. Using slow shutter speeds and dynamic subjects, I allowed motion blur to paint its own narrative.
read moreThe “Tasteless Influenza” project was born from a simple question: What happens when light, motion, and a flatbed scanner collide?
read moreBehind every great artist is a cat who believes they could do better. Mine? A diva named Pixel, whose primary job is to knock over carefully arranged objects and then look offended that they weren’t stacked sturdier.
read more“Azmadik Fotografiks” came to me during one of those late-night brainstorming sessions where you’re half genius, half delirious.
read moreStill life is often thought of as the introvert of the art world: quiet, reserved, maybe a little dusty. But to me, still life is a party—and I’m the host, arranging every guest just so.
read more
